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| Guitar used:
Yamaha Pacifica 112 on bridge pickup (humbucking). |
| Bass:
Yamaha RBX 260, lightly compressed (3:1 ratio). |
| Effects:
Subtle 360-millisecond stereo delay on lead track. |
| EQ:
+5dB 80Hz low shelving on rhythm |
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BRITISH |
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| Guitar used:
Yamaha Pacifica 120 on bridge pickup (humbucking) for rhythm and first half
of lead, and neck pickup (humbucking) for second half of lead. |
| Bass:
Yamaha RBX 260, lightly compressed (3:1 ratio). |
| EQ:
-3 dB 12kHz shelving on both lead and rhythm, +3dB 80Hz low shelving on rhythm. |
| Effects:
Subtle 250-millisecond stereo delay both rhythm and lead tracks. |
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TWEED |
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| Guitar used:
Yamaha Pacifica 112, on middle/neck (out of phase) position (single coil). |
| Bass:
Yamaha RBX 260, lightly compressed (3:1 ratio). |
| EQ:
+3dB 12kHz shelving on rhythm. |
| Effects:
Slight chorus and compression on rhythm, and 100-millisecond stereo delay on lead.. |
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Credits:
All tracks written, performed and/or programmed by
Frederic St-Gelais at “La Chambre” Studio, Montreal, Canada
using the following equipment:
Tech 21 SansAmp GT2 preamp
Mackie CR1604VLZ console
Alesis ADAT XT recorder
3630 compressor
Microverb and Midiverb III effects processors
D4 drum module
Ensoniq ASR-10 sampler (used as a MIDI controller)
BOSS DD-5 digital delay and CE-2 chorus FX pedals
Tascam DA-30 DAT recorder
Pentium 200mmx running sequencer, audio editor and mp3 encoder programs
Yamaha Pacifica 120 and 112 guitars*
Yamaha RBX 260 bass. |
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